剧情介绍：《德拉克的回归》（别名：Dragon Returns）是爱德华·格莱纳导演，由拉多万·卢卡夫斯基、古斯塔夫·瓦拉赫、艾米丽娅·瓦萨约娃、威廉·波洛尼、Jela Buckova、Jozef Cierny、等主演的剧情类型的其它电影，于1968年上映，与广大观众见面。
电影《德拉克的回归》可通过米奇影院为您提供免费在线观看，德拉克的回归剧情主要讲诉与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳...《德拉克的回归》是爱德华·格莱纳导演，由拉多万·卢卡夫斯基、古斯塔夫·瓦拉赫、艾米丽娅·瓦萨约娃、威廉·波洛尼、Jela Buckova、Jozef Cierny、Pavel Chrobak、米库拉斯·洛迪津斯凯、Ivan Macho、Ján Mildner、Andrej Mojzis、Jan Pelech、卢多维特·赖特尔、斯特凡·克维季克、Milan Mach等主演的的剧情类型的其它电影，于1968年上映，与广大观众见面。
电影《德拉克的回归》可通过米奇影院为您提供免费在线观看，德拉克的回归剧情主要讲诉与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).如需更多精彩剧情可通过在线观看该电影了解详情。
